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The Mountains

Up there, beyond the clouds, where the world of men reaches its limit, the mountain rips the sky.


The Sea

What immense abyss do you hide in your depth? How many men did you feed and how many did you kill?



There is a constant rumor that immerses me in the unstoppable flow of time, a rumor that resounds in every particle of my body.



The cold arrives mute to the Duero shore, soaks the air and stops the time, like a veil, covering everything.



This land, hard and perennial as a stone, saw as many men and women born, grow, live and die as centuries have passed.


The Badlands

We are orphans of our land, stripped of a past to peek into.


Valdeon Woods

Behind the trees, in the mist, something watches expectantly as I enter the woods.


Other Works

This is a compilation of other photographs that do not belong to any specific series.

About my work

All the photographic works shown on this website have been made from start to finish by myself, from the exposure of the scene on film and negative development, to the final silver gelatin print. No type of digital technology or manipulation are used in this process, following the artisan guidelines of the so-called straight photography.


The images that can be seen in the different galleries on this website have been digitized from the final print, not from the negative, so they are the true image of the original work.

If you wish to acquire a silver gelatin print, please, contact me and I will gladly provide you with details of the limited edition, sizes and prices of the work(s) of your interest.

Sobre mi obra


Photography, as art, have an implicit sacrifice and a lifetime learning and improvement of its techniques. There are no shortcuts or secrets that make you a professional from one day to another, so this can be a long way for a self-taught photographer.

Specialized courses and workshops can make this trip much more bearable, consolidating some concepts, from the most basic to the most advanced, and learning techniques that you might not have otherwise proposed.

It's possible, if you want, to plan a customized workshop, adapted to your needs and concerns, from the most basic to advanced levels, and from image capture, film development, enlarging and developing the print and presentation of the final fine art print. You can send me an email for more info and I will gladly answer you with the prices and dates available.

Information and booking:

+34 627 815 380

Eduardo Almeida

Photograph: Ricardo Jambrina

Lost in the mountains latent echo, in its overwhelming vastness and on the cold peaks covered by ice and snow, where the spirit flows like water into the rocks and releases from the imposed prison... It is maybe there where we revive and where our smallness to the world make us remember what is our real place and those things we are an immanent part of.


It is in the journey to the clouds, on its ephemeral beauty, on its forms and elegance where I find the harmony that caresses the hills, plays with textures on the stone, with light on valleys and lakes reflections.


It is in the lush woods and its paths, it’s in its darkness, where I find the mystery that fuels my curiosity. In the freefall of a cascade, in its sober roar turned into white silk....It is there where I find the real silence, where I find the everlasting truth.


It is in the twisted trunk of a tree asleep in the middle of a steppe, in its centenary loneliness, it is in memory of a thousand twilights where I find wisdom.


* * * * *​


I was born in Zamora in 1985, a small town in west Spain. Since I was young I have always worked at my family business, where I keep on working. My passion for photography started at the age of 19, when my mother gave me my first reflex camera. Until that day, I had never been in touch with the world of photography, and all was new and complicated for me. Curiosity and dedication soon turned into not only passion but also a way to, little by little, capture what my eyes where seeing and what my heart was feeling. My learning was always self-taught, although I cannot deny the great influence on me of the work of great American photographers such as Ansel Adams, Wynn Bullock, Edward and Brett Weston or Paul Caponigro.


I was always deeply attracted by the grandeur of mountainous landscapes, their textures, their inaccessibility and the mystery in their overwhelming peaks ripping the sky. It is not surprising that our ancestors saw in them the abode of the gods. It is my admiration for the grandeur of the natural landscape, in all its aspects, as well as the way in which our ancestors related to it and coexisted, which I seek to transmit and capture in my photographic work. It is the search for these images that takes me to the most remote places in my travels, through an exhaustive investigation and preparation of my photographic routes, which can last for days or weeks, with all my heavy photographic equipment, in my backpack.

​I do my work on film, mainly in a 6x6 cm medium format and a 4x5 '' large format. For me, the richness and depth that offers black and white film is not reached by any digital sensor to date, and the same thing happens with the photosensitive fiber papers when are compared with inkjet prints. In addition, the classic photographic process, without mediation of computers, offers a more handcrafted approach and a sense to the photography, resulting in prints of the highest quality, which reflect the care and detail in each of the steps that give rise to their elaboration.



Eduardo Almeida

EU VAT Id: ES71029165J

Avda. Cardenal Cisneros, 27

49011 Zamora ESPAÑA

+34 627 815 380

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